The Bulwark
Across the Movie Aisle
'The Brutalist,' a Near Masterpiece
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'The Brutalist,' a Near Masterpiece

Plus: an explainer on distribution windows
‘The Brutalist’ (MovieStillsDB)

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) broke down why the PVOD window has settled where it settled. Then they review The Brutalist, Brady Corbet’s three-and-a-half hour portrait of artistry and immigration and assimilation in America. (We know this movie isn’t out in most of the country yet, so we tried to keep it pretty spoiler free until minute 30. There is a warning in the audio file, but just as a heads up: stop listening at minute 30 if you’re worried about spoilers!) If you enjoyed listening, please share this episode with a friend!

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The Bulwark
Across the Movie Aisle
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Here's the elevator pitch: It's "Left, Right, and Center" meets "Siskel and Ebert." Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) about them.
Featuring bonus Friday episodes exclusively for Bulwark+ members.
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Sonny Bunch